‘Back To Blood’ — Tom Wolfe On Men, Women, And Miami

John Hayden photo

John Hayden photo

Tom Wolfe’s tour of contemporary America continues in “Back To Blood.”

The Bonfire of the Vanities (film)

(Photo credit: Wikipedia)

Like Wolfe’s other blockbusters — The Right Stuff, Bonfire Of The Vanities, and A Man In Full  Back To Blood focuses on Men and Manhood in the big cities of modern America. Wolfe has  vividly portrayed New York City and Atlanta. This time, the setting is Miami.

In Back To Blood, Wolfe writes about Real Men doing Real Work for the Right Reasons. The heroes are policemen, followed closely by newspapermen. Not a single female police officer or reporter in sight. Not exactly a politically correct portrayal of contemporary America!

Nestor Camacho is a young Cuban cop, intelligent and without guile, self-effacing and polite, god-fearing, muscular. He’s motivated by a quaint instinct to protect women and children. He’s blessed or cursed with an uncanny knack for spontaneous public heroism. Why are his feats of daring and willpower are met with public outrage? Camacho’s own family disowns him!

Then there’s the African-American police chief, a man of stature and principle, willing to risk his career to stand up to a bullying mayor. The chief’s only motivation, after a brief struggle with self-interest, is to do right by his men and the people of the city.

The policemen are archetypes of masculine strength and righteousness. The newspaper men, an editor-in-chief and a reporter, both Yalies, are weak and flawed by comparison. But they demonstrate journalistic skill and integrity in the clutch.

The bad guys in this story are really bad — mean and violent — but their main role in the morality play is as foils for our heroes. Two conspicuous villains are an Anglo psychiatrist and a Russian oligarch-gangster.

The women are the beautiful and intelligent (and innocently fickle) Magdalena, former girlfriend of Officer Camacho; and the equally beautiful and intelligent (and innocently refined) Ghislaine, Camacho’s new girlfriend. It’s a magical mystery tour of romantic twists and turns. Which girlfriend will our hero choose, and why?

Throughout, the unmeltable ethnic diversity of Miami is the unifying theme. Cuban cops and a black police chief. Affluent anglos and loutish Russian criminals. Magdalena is Cuban and Ghislaine is Haitian.

Tom Wolfe’s inimitable talent is on full display in Back To Blood. The talent holds me spellbound. But something’s missing. The main characters are all rich, or famous, or beautiful.

Where are the ordinary people, living ordinary lives? They’re in the background, part of the scenery. The female characters are eye candy. All the characters are archetypes or stereotypes. Is Wolfe saying something important here? Or is it all just another virtuoso performance, one more glittering stop on the tour? Please tell me what you think.

Tom Wolfe’s inimitable book site is here. Click Enter. You’ll see a selection of his books available as trade paperbacks. To see all his books, click on Bookshelf.

Back To Blood, latest in a line of Tom Wolfe bestsellers, published in October 2012, is 704 pages. I paid the full hardback price, $30. Money well spent. (I wouldn’t want to read 704 pages on a Kindle.)

— John Hayden

Advertisements

3 Comments

Filed under Books, Life

3 responses to “‘Back To Blood’ — Tom Wolfe On Men, Women, And Miami

  1. Sounds like a good book, my lost of “to reads” is getting pretty long again…

    Like

  2. I haven’t read Wolfe for a long time time… maybe 30 years, and so I’m curious… but you end this review with a question… and if it’s just a virtuoso performance, I don’t know if that would be enough for me…

    Like

What do you think?

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s